This project continually chooses to deliver the author-forced, overly-dramatic, “black”-side of the entertainment industry plots, and, then, skims (or bypasses altogether) the plots that would be based on the successful works of the “young, genius writer.” The author continually chooses to timeskip the substance portions, leaving us to read only the lackluster bits about poor working relationships and environments. I honestly don’t get it.
This project continually chooses to deliver the author-forced, overly-dramatic, “black”-side of the entertainment industry plots, and, then, skims (or bypasses altogether) the plots that would be based on the successful works of the “young, genius writer.” The author continually chooses to timeskip the substance portions, leaving us to read only the lackluster bits about poor working relationships and environments. I honestly don’t get it.